Common motifs in her work include objects such as combs, old fashioned looking glasses, and human, bird, fish, and tree life.

Her style has been compared to works by artists such as Marc Chagall and Gustav Klimt, who depicted couples as the central figures.

[14] As in the past, Dangol situates her couple in an idyllic landscapes or gardens replete with bodies of water, plants, and animals.

The artist also situates the couple in a vista of Newa architecture, drawing on indigenous motifs from the hills and plains of Nepal.

In the midst of details rendered in a technicolored palette,[15] Dangol paints the eternal couple rapturously gazing at each other,[16] as if their story of love transcends the past, present and future.

[11] The background is painted with Banyan and Pipal leaf patterns, which are both sacred trees related to Bishnu and Laxmi, a Hindu couple god who are worshipped together.

[26] Another important participation includes 'A Tapestry of Voices' was organized by Himalayan Art Initiative and World Bank Nepal on the theme of gender based violence.

[30] In 2023 she exhibited her 6th solo show, 'Inclination of Souls',[31] at Siddhartha Art Gallery, Baber Mahal Revisited and has received good reviews.

[32] In 2024 she was included in the exhibition Nepal : Contemporary Painting and Early Photographs in the Nalin's Collection was held at The Leonard Pearlstein Gallery of Drexel University, Philadelphia.