[6][7][8][9][10] Their vision focused on the development of the Palestinian modern song, reflecting the humanitarian and cultural reality in general, and the suffering endured from the political situation in particular.

Sabreen helped introduce a trend of committed music, or "Multazimeh", which was gaining popularity in Egypt with Sheikh Imam and Ahmed Fouad Negm, and in Lebanon with Marcel Khalife and Ziad Rahbani.

The lyrics of Sabreen's songs are mostly by renowned poets such as Mahmoud Darwish, Samih al-Qasim, Hussein Barghouti, and Fadwa Touqan.

The first one "Dukhan al-Barakin" (Smoke of Volcanoes) was released in the early 1980s coinciding with the Israeli invasion of Lebanon and the Sabra and Shatila massacres.

Their second album "Mawt al-Nabi" (Death of the Prophet) was made during a particularly introspective period before the First Intifada, focusing on everyday life under Israeli occupation.

released in 2000, uses poems by Talal Haydar, Sayyed Hegab and the Fadwa Tuqan (Palestine), conveying a sense of deep nostalgia and despair.

[16] Countless artists have passed through Sabreen Studios in Jerusalem whether through productions, workshops, and programs including Tamer Nafar, Hatari, Coldplay,[19] Bashar Murad,[20] Apo and The Apostles, Shadia Mansour, Le Trio Joubran, Reem Talhami, and more.