[2] Born in New Zealand, Craddock moved to Oxford as a child, and then to London in 1973, where she went on to help formulate[vague] one of the city's most well-known squats on Tolmers Square in Euston.

[8] In 2005, Craddock co-founded ArtSchool Palestine (ASP) with Charles Asprey, and Samar Martha, in order to promote and support Palestinian artists and aid their participation in international contemporary art exhibitions and biennales.

ASP has held many events and exhibitions, including As If By Magic, to which the British artist Damien Hirst lent his support.

[11] Craddock's curatorial contribution included Gillian Wearing at IVAM Institut Valencià d'Art Modern in 2015,[12] Turner Prize 2017 at Hull, Strike Site at Backlit Gallery in Nottingham in 2018,[13] the SPECTRUM Art Award 2018 at Saatchi Gallery, and Creekside Open and Exeter Contemporary Open in 2019.

[14] Craddock has written on contemporary international artists, including Alison Wilding, Laura Ford, Mark Boulos, Benjamin Senior, Angus Fairhurst, Richard Billingham, Jose Dávila, Chantal Joffe, Mustafa Hulusi, Andreas Reiter Raabe, Cornelia Parker, Phyllida Barlow, Heri Dono, Wolfgang Tillmans, Rosa Lee, Young In, Chris Ivey, and Alberto Savinio.