It is their first studio album since 2003, their longest non-album gap, and also the first released through Arsenal Music and with producer Rick Bonadio, who had already worked with Fresno, Charlie Brown Jr. and NX Zero.

[1] Among these tracks, there are two partnerships: one with Andreas Kisser from Sepultura, who had already worked with Titãs in the song "Brasileiro" (from the album Domingo); and another with Arnaldo Antunes (ex-member) and Liminha (ex-producer).

Alexey Eremenko from allmusic praised the new direction taken by the band, but considered the album to be just a "passable listen" due to the amount of creative energy spent on "fooling around with those 'modernized' arrangements".

[5] José Flávio Júnior, from Folha de S.Paulo, advised fans that they were about to receive "an album with embarrassing moments, created by five musicians who should have already pursued individual careers a long time ago".

[6] Marcus Preto, also from Folha, published in the same issue a text comparing Titãs to their ex-bassist Nando Reis, who had at that time released his new solo album, Drês.