[4] A year later, after listening to Bad Bunny's "Mía" featuring Canadian singer Drake, Jowell liked the single's style and called Rimas Music to arrange a recording session with him, but he was very busy at the time.
[4] Three weeks before the release of YHLQMDLG, Bad Bunny called Jowell & Randy, who were in Puerto Rico, in order to work together for the album.
The track makes use of numerous samples throughout its runtime, which include a guitar riff from "Get Ur Freak On" by Missy Elliott, the rhythm tracks from "Big Up" by Shaggy & Rayvon, "Santa Barbara" by Chaka Demus & Pliers, synths from DJ Nelson's and DJ Goldy's Xtassy Reggae, an opening line from Cosculluela's "Pa' La Pared" and a sample from Alexis & Fido's "El Tiburón", among others.
[7] Rolling Stone's Suzy Exposito referred to the song as "five-minutes of unadulterated chaos" and opined that Bad Bunny "gets to ride a wave of reggaeton he was much too young to participate in the first time around".
In the end, Noah Assad, founder of the record label Rimas Entertainment, had to intervene, who managed to reach an agreement with Elliott where Bad Bunny, Jowell, Randy and Ñengo Flow would only receive 1% of the total profits.
[14] However, despite this, Elliott later called out Jowell for misrepresenting what the actual song splits look like, writing to him on Twitter and saying, “Sadly you mislead all these people to make them think I have 99%.