In 1574, Elizabeth's tailor, Walter Fyshe worked on a safeguard of French "ashe colour Abramamasio" fabric, with laces of Venice gold, silver and silk, and added "newe pockettes" of green taffeta.
[9] During a tournament and entertainment at New Hall in September 1579, the Earl of Sussex gave Elizabeth a horse, a cloak, and a safeguard "to keep her from evil weather that might hap" in the next day's hunting.
[12][13] A favourite safeguard and jupe embroidered with stars of Venice silver and gold wheat ears was repaired twice, and washed and mended by the queen's silkwoman Dorothy Speckard.
[14] Godfrey Goodman doubted that Elizabeth I rode very often by 1597, when discussing a plot involving a clerk in the royal stable Edward Squire to poison her.
[22] Dame Honor Proctor of Cowling Hall near Bedale made a bequest of her "ryding savegard and cloak, hoodd and mittons" in 1625.
[23] When Arbella Stuart tried to leave England in disguise, the black hat and riding safeguard worn by one of her companions reminded a witness, John Bright, of Moll Cutpurse.
[25] In the play, a speech makes reference to the safeguard, an item of female clothing, transformed into a slop, a word for male breeches.
Described in the Scots language as wardegardes, a word sometimes interpreted as a carrying bag for clothes,[27] these may have been practical riding garments of hard-wearing buckram, fustian, and gray wool.