Saigyō was renowned for his love of the flowering cherry - what he himself once called "my lifelong habit of having my mind immersed in blossoms".
[1] As a recluse however, he sometimes found himself in conflict with the Japanese habit of collective blossom viewing: as he wrote in his Sankashū, "Leave me in solitude/O Cherry flowers./Draw not people,/for they come in crowds".
[2] Wishing to be alone with his cherry-blossoms,[3] Saigyō is annoyed by the arrival of a party of (potential) viewers; and, on admitting them, composes a waka blaming the cherry tree for their intrusive presence.
That night he is visited by the spirit of the cherry-tree, who rebukes him by pointing out the separateness and independence of all living creatures from human concerns.
[4] The two then converse, before the play ends with an extensive dance celebrating cherry flowers, exceptional sakura sites like Kiyomizu-dera, and the transient beauty of Spring.