In 1702, Philippe I, Duke of Orléans gave letters-patent to the family of Pierre Chicaneau, who were said to have been making porcelain as "perfect as the Chinese" since 1693.
Saint-Cloud developed a frit ("a mixture of a flux, sand and chalk") which was close, although not similar, to Asian porcelain.
It is rarely of a pure white, but the warm yellowish or ivory tone of the best wares of the period is sympathetic and by no means a shortcoming; and while actually very soft and glassy, it has a firm texture unlike any other.
The heavy build of the pieces is also characteristic and is saved from clumsiness by a finer sense of mass, revealed in the subtly graduated thickness of wall and a delicate shaping of edges.
The Japanese Kakiemon style of Arita porcelain, Japan, known as "Fleurs indiennes" ("Flowers of the Indies") was also used as an inspiration.