Pau Casals wrote a composition entitled "Sant Martí del Canigó" for Orchestra.

This parchment has survived and scholars (including Léopold Delisle with his Rouleaux des Morts du IX au XV Siecle of 1866) have used it to discover differences in culture between northern and southern Europe in a single given year.

The buildings were then transformed into a stone quarry for nearby residents, the capitals of the cloister were looted, as well as sculptures and furniture.

In 1902, the bishop of Elne and Perpignan, because of his Catalan background, began to restore the ruins radically, work that was completed in 1932.

This building is indexed in the Base Mérimée, a database of architectural heritage maintained by the French Ministry of Culture, under the reference PA00103981.