Luke the Evangelist

Prominent figures in early Christianity such as Jerome and Eusebius later reaffirmed his authorship, although a lack of conclusive evidence as to the identity of the author of the works has led to discussion in scholarly circles, both secular and religious.

This familiarity most likely derived from his experiences as a youth of the very homogeneous Hellenistic educational curriculum (ἐγκύκλιος παιδεία, enkyklios paideia) that had been, and would continue to be, used for centuries throughout the eastern Mediterranean.

If one accepts that Luke was indeed the author of the Gospel bearing his name and the Acts of the Apostles, certain details of his personal life can be reasonably assumed.

While he does exclude himself from those who were eyewitnesses to Jesus' ministry, he repeatedly uses the word we in describing the Pauline missions in Acts of the Apostles, indicating that he was personally there at those times.

[30] According to Nikephoros Kallistos Xanthopoulos, Greek historian of the 14th century (and others), Luke's tomb was located in Thebes, whence his relics were transferred to Constantinople in the year 357.

[32][33][34][35] The Gospel was not, nor does it claim to be, written by direct witnesses to the reported events, unlike Acts beginning in the sixteenth chapter.

[45][46][47][48][d] Based on his accurate description of towns, cities and islands, as well as correctly naming various official titles, archaeologist William Mitchell Ramsay wrote that "Luke is a historian of the first rank; not merely are his statements of fact trustworthy.

"[43] Professor of Classics at Auckland University, Edward Musgrave Blaiklock, wrote: "For accuracy of detail, and for evocation of atmosphere, Luke stands, in fact, with Thucydides.

"[44] New Testament scholar Colin Hemer has made a number of advancements in understanding the historical nature and accuracy of Luke's writings.

"[50] Such a position is shared by Richard Heard, who sees historical deficiencies as arising from "special objects in writing and to the limitations of his sources of information.

"[45] Robert M. Grant has noted that although Luke saw himself within the historical tradition, his work contains a number of statistical improbabilities, such as the sizable crowd addressed by Peter in Acts 4:4.

One possible explanation is that Luke believed that Jesus’ birth was of such importance for the entire world that he dramatically juxtaposed this event against an (imagined) act of worldwide domination by a Roman emperor who was himself called “savior” and “son of God”—but who was nothing of the sort.

[g][failed verification] The art critic A. I. Uspensky writes that the icons attributed to the brush of the Evangelist Luke have a completely Byzantine character that was fully established only in the 5th-6th centuries.

[57] In traditional depictions, such as paintings, evangelist portraits, and church mosaics, Saint Luke is often accompanied by an ox or bull, usually having wings.

After the Ottoman conquest of Bosnia, the kingdom's last queen, George's granddaughter Mary, who had brought the relics with her from Serbia as her dowry, sold them to the Venetian Republic.

This prompted a scientific investigation of the relics in Padua, and by numerous lines of empirical evidence (archeological analyses of the Tomb in Thebes and the Reliquary of Padua, anatomical analyses of the remains, carbon-14 dating, comparison with the purported skull of the Evangelist located in Prague) confirmed that these were the remains of an individual of Syrian descent who died between AD 72 and AD 416.

[75][76] The Bishop of Padua then delivered to Metropolitan Ieronymos the rib of Saint Luke that was closest to his heart to be kept at his tomb in Thebes.

Print of Luke the Evangelist [ 6 ]
Saint Luke as depicted in the head-piece of an Armenian Gospel manuscript from 1609, held at the Bodleian Library
St. Luke painting the Virgin , by Maarten van Heemskerck , 1532
Detail from a window in the parish church of SS Mary and Lambert, Stonham Aspal , Suffolk, with stained glass representing St Luke the Evangelist
Luke the Evangelist painting the first icon of the Virgin Mary
Winged altar of the Guild of Saint Luke , by Hermen Rode , Lübeck (1484)
Reliquary of St. Luke the Evangelist in Padua