In its early years, the early twentieth century, with the help of their parents start acting in a few roles as a substitute against eventualities actor with repertory works like The Fist of Roses, Giants, Rogues jealousy, The white house, The Feast of San Anton, The Ballad of light, The Barber of Seville, The unruly, The saint of the Isidra ... Then after the death of his father, continues to support his mother and brother of the famous master, Antonio Videgain in many provinces such as Cordoba, Barcelona, Bilbao, Zaragoza, Burgos and Alicante premiered his first works at the national level: the tunnel, heaven and earth, The girl's temple, Nido galante, La patria chica, the girl's boyfriend, and gets The huertanica go make a name as a comic tenor.

De there will be recruited for the Grand Theatre where the comedy begins to create music with titles like The Riviera, The soul of love, The white deer, The poet of life, or magazine with the fairyland all in (1910).

The titles speak for themselves: The trust of philanderers José Serrano, The car of the devil, Gloria in excelsis, The fate of Isabelita, For peteneras, Blood and Sand by Pablo Luna, The boy in the cafeteria of Rafael Calleja Gómez, Barbarossaof Sinesio Delgado, Anita Amadeo Vives's cheerful, lily among thorns drama Gregorio Martínez Sierra, La Romerito 1912 Paul Luna, El Goya fresco, The Daughters of Lemos, Cadets Queen Cuisine, The Tale dragon castizo Child, The musical lothario, Don Juan Women's, sing Mills, Brook, La Cocagne, Latino muses Manuel Penella, The joy of love, The new capital testamento.

Curiosamente makes no room so many new players and began a tour ending in Spain, which lasts several years settling in Barcelona and Valladolid and manages to maintain its reputation and prestige and wait for his next great opportunity.

In the twenties his success as a director and comic actor are countless, especially after the bombing achieve gender starting to reach frivolous life is friendly, The Venetian Antonio Paso Díaz (1925), To brave love, The Garden of touch (1926), Date Night (1927), Aligui, Daddy doll, The Raja of Cochin and Punishes (1928) even helping out the careers of Celia Gámez.

In the thirties continues with alternating successes genres in works such as carnations, The Severe released in Portugal, Beautiful women and Key (1933), The Founding Fathers (1935), The eager Pablo Luna (1935), which consolidate its reputation in both genders and revista.

As for the zarzuela achieved success in the company of Pedro Terol and Matilde Vázquez, Alhambra (1940), The house of the three girls, Real Artemio as Lily ivory, Como lirio de marfil (1945).

The most prestigious of the 40th for him was to be the director of the company of maestro Manuel López-Quiroga Miquel in the theater Alcalá (1941) premiered Ugly Queen the master himself, Divine rebellion and The cat black with Pepita Embill and Plácido Domingo Ferrer.