The interior has many medieval frescos, as well as later decoration, including the Brenzoni Monument (discussed below), an altarpiece of St Francis of Assisi by Giovanni Battista Belloti, whilst Veronese's Bevilacqua-Lazise Altarpiece was originally painted for a funerary chapel in the church.

The campanile was not completed until the 13th century, it contains six bells in F cast in 1755 and rung with the Veronese bellringing art.

This striking wall monument is by the Florentine sculptor Nanni di Bartolo, called "il Rosso" ("the redhead") and includes a Resurrection group of Christ, four sleeping soldiers, three angels, and two putti who hold back large canopy curtains, a Venetian style in wall tombs, that here gives the scene something of the effect of a tableau vivant.

Pisanello was an established painter by this time, but most of his paintings had been frescos on secular subjects for palaces, all now gone.

[1] Rosso is mentioned in the inscription ("Nanni" is a contraction of "Giovanni"): QVEM GENUIT RUSSI FLORENTIA TUSCA IOHANNIS/ ISTUD SCULPSIT OPUS INGENIOSA MANUS:[2] ("The ingenious hand of Giovanni the redhead, a child of Tuscan Florence, carved this work.