Sanja Iveković

"Figure & Ground" (2006) depicts collages of female models looking like armed terrorists covered in blood and wearing military-inspired clothing from top designers.

[6] "Women's House (Sunglasses)" is a series of posters, billboards, and magazine inserts, focusing on gender violence in postcommunist Croatia.

The sculpture was recreated during Iveković's exhibition at the Museum of Modern Art in 2011, in which Roberta Smith for The New York Times stated:[8] Named for the Marxist philosopher and activist Rosa Luxemburg, who was murdered by Berlin police during the thwarted German Revolution of 1919, this work caused a furor when it was exhibited in Luxembourg in 2001, in part because it was displayed in a public park within sight of a nearly identical but unpregnant sculpture that is a war monument.

Wall vitrines lined with newspaper clippings attest to the extensive press coverage it received, as do excerpts from television news interviews playing on monitors.

In one television interview a young man points out that people were more offended by the words on the sculpture’s base than by the fact that countless women and children are beaten and abused every day.In 2009, Iveković was the winner of the Camera Austria Award as photography was recognized as an integral part of her conceptual work.

[9] In 2014 she was shortlisted for the Artes Mundi prize, exhibiting her photography-based works, GEN XX (1997–2001) and The Disobedient (The Revolutionaries) at the Turner House Gallery, Penarth, Wales.