Sankofa (pronounced SAHN-koh-fah) is a word in the Twi language of Ghana meaning “to retrieve" (literally "go back and get"; san - to return; ko - to go; fa - to fetch, to seek and take) and also refers to the Bono Adinkra symbol represented either with a stylized heart shape or by a bird with its head turned backwards while its feet face forward carrying a precious egg in its mouth.
"[1][2] The sankofa bird appears frequently in traditional Akan art, and has also been adopted as an important symbol in an African-American and African Diaspora context to represent the need to reflect on the past to build a successful future.
A copy of the design found on the coffin lid is prominently carved onto a large black granite memorial at the center of the site.
A UK stage production by Adzido Pan-African Dance Ensemble, scripted by Margaret Busby and premiered in 1999, was entitled Sankofa.
A second iteration of the band Sankofa, with Wilson and Flemons, as well as Ndidi Onukwulu and Allison Russell, released the CD The Uptown Strut in 2012.
It was carved into the floor of a slave ship by James Keziah Delaney and appears as a tattoo on his upper back and as a drawing within the fireplace of his mother’s old room.