The church was constructed in its present form in 1605-1623 under the direction of the Barnabite priest Giovanni Ambrogio Mazenta, assisted by the architect Tommaso Martelli.

This first chapel, hosts a canvas of the Beatified Archangel Canetoli refuses the role of archbishop of Florence from Giuliano de’ Medici by Ercole Graziani the Younger.

The third chapel has an altarpiece of the Madonna della Vittoria or Madonna del Monte (14th century) attributed to Lippo di Dalmasio or perhaps Simone de’Crocifissi while the vault frescoes are by the 19th century painters Alessandro Guardassoni and Luigi del Samoggia, crowned by the Pope via a formal decree in 1875.

The third chapel has a canvas depicting the Crucifixion and Saints (1539) by Innocenzo da Imola, flanked by sculptures by Andrea Guerra and Giovanni Tedeschi.

The last chapel on the transept presents Alessandro Tiarini’s Nativity scene which sources indicate may have been destined for the main altar.