Sari temple

The temple was a two-story building with wooden beams, floors, and stairs completed with windows and doors; all from organic materials which now are decayed and gone.

[2] The temple's name Sari or Saré translates as "to sleep" in Javanese, which also confirms the habitation nature of the building.

The Kalasan inscription dated 778 AD, in Pranagari script written in Sanskrit, mentions that the temple was erected by the will of Guru Sang Raja Sailendravamçatilaka (the Jewel of the Shailendra dynasty) who succeeded in persuading Maharaja Tejapurnapana Panangkaran (in other parts of the inscription also called as Kariyana Panangkaran) to construct a holy building for the boddhisattva Tara and also build a vihara (monastery) for Buddhist monks from Sailendra family's realm.

[3] Based on this inscription, Candi Sari was probably the monastery for monks who served the nearby Kalasan temple.

Between these arched niches are found rain-water drainage and "jaladwara" water spouts taking the form of a giant sitting on a snake.

These Buddhist figures are usually found in the graceful position of Tribhanga, holding red or blue lotuses and displaying peaceful and serene facial expressions.

However, unlike the common depiction of Kinnara as a heavenly creature with an upper human-shaped part and a lower bird-shaped part, the unusual image of Kinnara found on the northern wall shows a winged deity (somewhat similar to how commonly angels are portrayed).

Candi Sari, front view
Candi Sari, from the rear
inside Candi Sari
A replica of Candi Sari, one of the three pavilions built for the Dutch East Indies section at Paris Exposition Universelle (1900) in the Jardins du Trocadéro
Photo of Candi Sari (1901) by Christiaan Benjamin Nieuwenhuis