Sarutahiko Ōkami

[4] He is depicted as a towering man with a large beard, jeweled spear, ruddy face, and long nose.

According to O-Senseï, the practice of Aikidō was practice of Misogi purification itself ("and thus, like Sarutahiko standing of Ame-no-Ukibashi, standing between Heaven and Earth, being one with the Universe, and so achieving peace with the world, the next step being World Peace itself")[citation needed] Sarutahiko's name consists of an etymologically obscure element, Saruta, which is traditionally transcribed with kanji that suggest the meaning "monkey-field" as a sort of double entendre, followed by the Classical Japanese noun hiko "a male child of noble blood, a prince.

Although it is usually not written, the Japanese genitive case marker, -no, is often suffixed to his name in speech when it is followed immediately by one of his honorific titles, such as Ōkami or Mikoto.

who is the kami of the great rock used by Izanagi to obstruct the way to Yomi, and thus, preventing emergence of evil spirits from the Underworld), Sashikuni [ja], Inari, and Amaterasu.

[citation needed] The name of this deity appears incorrectly spelled as "Sarundasico" in Puccini's opera Madama Butterfly.

Sarutahiko in the Menkake Gyōretsu parade in Kamakura.
Sarutahiko Ōkami; taken from a late-19th-century Japanese painting.