Satan and Adam

[1] Magee sang in a style that fuses blues with elements of soul and rap, playing electric guitar, and used both feet to stomp out polyrhythms on a homemade percussion setup that included hi-hat cymbals topped with tambourines and maracas.

"[1] His proficiency on guitar earned him gigs with a number of rhythm-and-blues performers, including James Brown, King Curtis, Big Maybelle, Joey Dee and the Starliters, and a transvestite duo known as The Illusions That Create Confusion.

"[This quote needs a citation] By 1983, he had added a hi-hat cymbal to his mix and begun to perform as a one-man band on 125th Street[1] in front of the New York Telephone Company office, sometimes accompanied by drummer Pancho Morales and other musicians.

Gussow's transformation from an academic to a blues player was facilitated by lessons he took from his mentor, New York harmonica virtuoso Nat Riddles, who had performed and recorded with Larry Johnson, Odetta, and others, and by his acculturation into the jam session life at Dan Lynch, a storied East Village juke joint.

Magee and Gussow exclusively engaged in street performance until 1990, when they recorded a demo at Giant Sound in New York, opened for Buddy Guy at a Summerstage concert in Central Park, and began to play club gigs at a restaurant called Chelsea Commons (24th St. and 10th Ave).

In 1991, after being discovered during a steady gig at a woman's bar in Greenwich Village, they signed with major management, went on a tour of the UK with Bo Diddley, and released their first album, Harlem Blues.

After a charmed rise, the duo's fortunes took a disastrous downward turn in 1998 when Magee, who had recently relocated from Harlem to Brookneal, Virginia, had a nervous breakdown and, after briefly resurfacing, dropped completely out of sight.

A book by Gussow entitled Journeyman's Road, collecting magazine columns and other of his writings, was published by the University of Tennessee Press in 2007 and further detailed the Satan and Adam story.

In 2008, Gussow released a double CD of early work by the duo entitled Word on the Street: Harlem Recordings, 1989, for download on his Modern Blues Harmonica website (see below).