Scottish Fantasy

The Scottish Fantasy is one of several signature pieces by Bruch that is still widely heard today, along with his first violin concerto and Kol Nidrei for cello and orchestra.

It was published by Simrock as Fantasie: für die Violine mit Orchester und Harfe unter freier Benutzung schottischer Volksmelodien, Op.

[4]: 152 [1]: 168–169  When Bruch conducted the work with Sarasate as the soloist at a Philharmonic Society concert in St. James’s Hall on 15 March 1883, it was titled Concerto for Violin (Scotch).

[1] The opus consists of the following movements:[5] The work is scored for solo violin, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, cymbals, harp, and strings.

[5] Many famous violinists have recorded the work, including Jascha Heifetz (1947 and 1961), Michael Rabin (1957), David Oistrakh (1962), Kyung Wha Chung (1972), Arthur Grumiaux (1973), Salvatore Accardo (1977), Ruggiero Ricci (live, 1980s), Cho-Liang Lin (1986), Itzhak Perlman (1986), Anne Akiko Meyers (1992), Tasmin Little (1996), Vanessa-Mae (1996), Akiko Suwanai (1997), James Ehnes (2003), Rachel Barton Pine (2004), Aaron Rosand (2007), Nicola Benedetti (2014), Stefan Jackiw (2014), and Joshua Bell (2018).

The composer Max Bruch (portrait by Adolf Neumann , 1881)
Bruch premiered the Scottish Fantasy with the Liverpool Philharmonic Society in 1881