Seán Keating

Examples include Men of the South (1921–22) which shows a group of IRA men ready to ambush a military vehicle and An Allegory (first exhibited in 1924), in which the two opposing sides in the Irish Civil War are seen to bury a tricolour-covered coffin amid the roots on an ancient tree.

One of the cardinal achievements of the Irish Free State in the 1920s was the building, in partnership with Siemens, of a hydro-electric power generator at Ardnacrusha, near Limerick.

[2] Keating was part of this artist-led initiative to form a municipal art gallery in Limerick similar to those already in Dublin and Cork.

As a pivotal member of the committee, Keating himself donated many works to the collection which was first exhibited in the Savoy Cinema, Limerick City, on 23 November 1937.

Keating was an intellectual painter in the sense that he consciously set out to explore the visual identity of the Irish nation, and his paintings show a very idealised realism.

[6] Posthumous exhibitions of his paintings were held by The Grafton Gallery, Dublin (1986) and the Electricity Supply Board (1987).

Men of the South , 1921–22, Crawford Art Gallery , Cork .
An Allegory , 1924, National Gallery of Ireland .
Mural on Labour (1961) at the Centre William Rappard in Geneva , Switzerland .