[2] The show's first season introduced a multinational ensemble cast, with Aml Ameen, Bae Doona, Jamie Clayton, Tina Desai, Tuppence Middleton, Max Riemelt, Miguel Ángel Silvestre, and Brian J. Smith portraying eight strangers from different parts of the world who suddenly discover that they are "sensates": human beings who are mentally and emotionally linked.
Most episodes were directed by the Wachowskis (or just Lana in the second season), with the remainder being divided between their frequent collaborators James McTeigue, Tom Tykwer, and Dan Glass.
The eight discover that they form a cluster of "sensates": human beings who are mentally and emotionally linked, can sense and communicate with one another, and can share their knowledge, languages, and skills.
According to the Wachowskis, the origins of Sense8 date back several years before the announcement of the show to "a late-night conversation about the ways technology simultaneously unites and divides us".
[27] When deciding to create a television series, Lana chose to brainstorm ideas with Straczynski because of his extensive experience working with the format, by inviting him to her house in San Francisco.
[28][29] After several days of discussion, they decided on creating a show that would explore the relationship between empathy and evolution in the human race, necessitating filming on location in several countries over the world.
[36] Lilly Wachowski, after completing her gender transition, decided to take some time off and did not return as writer or director for the second season,[30] although she remained active as co-creator.
[43] Freema Agyeman, who plays Nomi's girlfriend Amanita, has shared that her character was based heavily on Lana's wife, Karin Winslow.
[45] On June 20, 2014, Deadline Hollywood announced the cast of the eight lead characters, along with Freema Agyeman, Naveen Andrews, Daryl Hannah, Alfonso Herrera, Eréndira Ibarra, and Terence Mann.
[66] The major locations they filmed in include all of the first season's except Reykjavík, and the following new ones: Amsterdam, Argyll, Chippenham, Los Angeles, Malta, Positano, Redwoods, and São Paulo.
[47] Production start for the main unit of the second season was given an expected date of March 2016,[67] but a separate shoot involving the principal actors began on December 30, 2015, in Berlin, to capture footage during the Christmas holidays.
[67] During the first season, cinematographer John Toll, once again collaborating with the Wachowskis after Cloud Atlas and Jupiter Ascending,[83] personally handled the cinematography in San Francisco, Chicago, London, Iceland, and Seoul.
[30] Production sound mixer Stevie Haywood recounted Lana's directing style was to use two cameras as the default setup, and develop the shot over "enormously long takes" which could last up to fifteen to twenty minutes.
[97] Because of the series' tight budget and timeline the production made the decision to do most of the effects, including the telepathy scenes, in-camera and only enhance them digitally where appropriate.
[47] Technicolor were again responsible for managing dailies and color grading the show, while their VFX department delivered over 600 shots for the first 11 episodes, and an additional 109 for the series finale.
[111][47] The score of Sense8 was composed by Johnny Klimek and Tom Tykwer, with additional contributions by Gabriel Isaac Mounsey,[112] and recorded by the MDR Leipzig Radio Symphony Orchestra.
[113] In the Christmas special episode "Happy F*cking New Year", a cover of Leonard Cohen's "Hallelujah" is featured, which was arranged by Gary Fry and recorded by the Apollo Chorus of Chicago, with the lead vocalist being Daniel Martin Moore.
[118] The show received a nomination for Outstanding Original Main Title Theme Music during the 68th Primetime Creative Arts Emmy Awards.
[119] For the series almost two-minute long title sequence, Karin Winslow rented a car and with the help of a camera assistant traveled in the eight featured countries of the first season and captured over a hundred shots.
[121][122] Later that month, Chief Content Officer of Netflix Ted Sarandos during his talk on Produced By Conference, commented that the show was cancelled because its audience, despite being very passionate, was not large enough to support the high production costs.
[123] As a response to the cancellation, fans created online petitions, called Netflix, and tweeted #RenewSense8 and other hashtags, in an attempt to bring back the show.
On June 29, 2017, the official social media accounts of the show posted a letter by Lana Wachowski which announced the release of a two-hour special for 2018.
[130] Conversely, shortly after the special's release, executive producer Grant Hill said that they followed Netflix's directive to design it as the series finale,[131] and that there have not been any talks about the possibility of another revival.
The website's critical consensus reads, "Some of the scenarios border on illogical, but the diverse characters and the creative intersections between their stories keep the Wachowskis' Sense8 compelling.
The critical consensus reads, "Sense8 maintains its stunning visuals, Wachowski wackiness, and great heart — though its individual characters deserve more development.
The finale's critical consensus reads, "A hard fought coda to a beloved series, Sense8's epilogue exemplifies its strange, sensual, somewhat silly delights.
"[143] In another report released by Netflix, Sense8 was listed among the shows whose viewers tend to heavily binge-watch their first seasons, rather than savoring their episodes by watching them at a slower pace.
[149] Former Colombian President and 2016 Nobel Peace Prize recipient Juan Manuel Santos heavily referenced Sense8 in a speech he made in April 2019 during the graduation ceremony of students of the University of Los Andes who participated in the Ser Pilo Paga program.
Santos recited the basic premise of the show about the fictional species Homo sensorium who can feel empathy for one another, and expressed his wish and belief that one day humanity will be the same, "united in diversity and tolerance".
The first screening took place in The Music Box Theatre in Chicago, on May 25, as a benefit for EMILY's List, followed by a Q&A session with Lana and select cast members.