She studied Dramatic Art in Rome, beginning her career as an actress in the film "I dolci Inganni" (1960).
[1] After working in half a dozen Italian films like Il brigante (1961) by Renato Castellani and Cronaca familiare (1962) by Valerio Zurlini, she went to Spain to film El Conde Sandorf (1963), an Italo-Spanish production directed by Georges Lampin, and she decided to settle in Spain.
She became the muse of the Barcelona School of Film, taking leading roles in many productions of this film movement including: Brillante Porvenir (1963), directed by Vicente Aranda, Noche de vino tinto (1966) directed by José Maria Nunes, Una Historia de Amor (1966) and Historia de una chica sola (1969) both directed by Jorge Grau; Dante no es unicamente severo 1967 by Jacinto Esteva and Joaquin Jordá; Cada vez que... estoy enamorada creo que es para siempre (1968) and Liberxina 90 (1970) by Carlos Durá, Un invierno en Mallorca (1969) directed by Jaime Camino and Esquizo (1970) directed by Ricardo Bofill.
[1] She also made some films in Madrid with her accented voice dubbed: Al ponerse el sol (1967), Digan lo que digan (1968), both directed by Mario Camus, La Lola, dicen que no vive sola (1970) directed by Jaime de Armiñan and Carta de Amor de un Asesino (1972) by Francisco Regueiro.
[1] She retired in the early 1970s, returning to acting only sporadically and in secondary roles during the 1980s.