Serse

Serse (Italian pronunciation: [ˈsɛrse]; English title: Xerxes; HWV 40) is an opera seria in three acts by George Frideric Handel.

The Italian libretto was adapted by an unknown hand from that by Silvio Stampiglia (1664–1725) for an earlier opera of the same name by Giovanni Bononcini in 1694.

Although this had been typical for 17th-century Venetian works such as Cavalli's original setting of the libretto, by the 1730s an opera seria was expected to be wholly serious, with no mixing of the genres of tragedy and comedy or high and low class characters.

The musicologist Charles Burney later took Serse to task for violating decorum in this way, writing: "I have not been able to discover the author of the words of this drama: but it is one of the worst Handel ever set to Music: for besides feeble writing, there is a mixture of tragic-comedy and buffoonery in it, which Apostolo Zeno and Metastasio had banished from serious opera.

He noted "the airs too, for brevity's sake, as the opera would otherwise be too long [,] fall without any recitativ' intervening from one into another[,] that tis difficult to understand till it comes by frequent hearing to be well known.

[6] The very features which 18th-century listeners found so disconcerting – the shortness of the arias and the admixture of comedy – may account for its appeal to the 20th and the 21st centuries.

The production was conducted by Piero Bellugi, and an all-star cast featuring Mirella Freni, Rolando Panerai, Fiorenza Cossotto, Irene Companez, Leonardo Monreale, Franco Calabrese, and Luigi Alva in the title role.

Conducted by Sir Charles Mackerras, it was directed by Nicholas Hytner, who also translated the libretto, and starred Ann Murray in the title role, with Valerie Masterson as Romilda, Christopher Robson as Arsamene, and Lesley Garrett as Atalanta.

[8] The production returned for a sixth revival to the London Coliseum in September 2014, starring Alice Coote as Xerxes.

Ariodate, general to Serse and father of Romilda and Atalanta, enters with news of a great military victory he has won.

Serse is grateful to him and promises that as a reward his daughter Romilda will marry a man equal in rank to the King himself.

Arsamene gives Elviro a letter for Romilda, telling her how distressed he is at their forced separation and pledging to try to visit her in secret.

A square in the city Elviro has disguised himself as a flower-seller in order to deliver his master Arsamene's letter to Romilda, and is also putting on a rural accent.

Princess Amastre, in her disguise as a man, hears Elviro expressing this and she is aghast at the King's plan to marry another when he promised to be hers (Aria: "Or che siete speranze tradite").

Serse encounters his heart-broken brother Arsamene and tells him to cheer up, he can marry the woman he now loves, Atalanta, no problem.

A gallery Romilda and Arsamene are having a lovers' spat about that letter, but calm down when Atalanta appears and admits her deception.

Arsamene blames Romilda for the fact that he has been sentenced to death, and the lovers again quarrel (Duet: "Troppo oltraggi la mia fede").

Serse bitterly denounces Ariodate for that and is even more enraged when a letter arrives, apparently from Romilda, accusing him of faithlessness.

Serse, abashed, admits his fault – he will marry Amastre as he promised, he wishes his brother Arsamene and Romilda happiness in their marriage, and all celebrate the fortunate outcome of events (Chorus: "Ritorna a noi la calma").

Title page of the libretto, London 1738
George Frideric Handel, portrayed by Balthasar Denner in the 1720s
18th-century painting of the King's Theatre, London, and adjacent buildings
London King's Theatre Haymarket, where Serse was first performed
Caffarelli, who created the role of Serse
Élisabeth Duparc, who created the role of Romilda
Antonia Merighi, who created the role of Amastre, in a caricature by Antonio Maria Zanetti
Katarina Karnéus as Xerxes, Stockholm, Royal Swedish Opera, 2009
Xerxes crossing the Hellespont