[3] Soon after Mary's arrival in Scotland, in September 1561, Servais de Condé worked in Holyrood Palace lining a cabinet room for the queen with 26 ells of a fabric called "Paris Green".
[8] According to Randolph and Bedford's description of the murder of David Riccio, the cabinet was 12 feet square, furnished with a reposing bed and a table seating three.
[10] Servais made an inventory of the altar cloths and vestments from the Chapel Royal at Stirling Castle in January 1562, which had been transferred to his keeping at Holyrood along with a parchment Missal and an Antiphonal.
[11] Servais was made keeper of Holyroodhouse by privy seal letter on 20 January 1565 during Mary's intended journey to Aberdeen taking responsibility from Giovanni Francisco de Busso, an Italian who was supervisor of royal buildings.
Her white satin sleeves and skirt front, the grand manches and davant, were decorated with narrow gold braids, petite natte d'or.
[21] On 10 July 1567 Mary's opponents, the Confederate lords, ordered him to surrender to silverware in his keeping for coining to the Master of Mint John Acheson.
[24] On 25 July Servais was asked to produce the crown sceptre and sword, the Honours of Scotland for the coronation of James VI following Mary's abdication.
[29] A memorandum written in French of further textiles and thread sent to Mary at Lochleven, Carlisle and Bolton is associated with Servais by historians including Margaret Swain, but does not feature his name.
[34][35] On 15 November 1569 Servais handed the library of Mary Queen of Scots, cloths used in her chapel, and masque costumes called "dansyne cleiss" and "maskeine cleis" to Moray's agents.
[37][38] The last event of the wedding celebrations for Agnes Keith and the Earl of Mar in February 1562 was a supper in Cardinal Beaton's palace at the corner of the Cowgate and Blackfriar's Wynd, and afterwards the young men of the town came in procession, in "convoy" to greet her, some in masque costume in "merschance" or "mumchance", a Scottish form of mummery.
[39] Some masque costume for the ladies of the court in red and white taffeta was prepared by the queen's tailor, Jacques de Soulis.
During the masque the queen's ladies presented 8 Scottish dirks or daggers to the French guests, with embroidered black velvet scabbards.
[43] Such frivolity was subsequently denounced by John Knox, and the poet Richard Maitland of Lethington wrote against skipping in the street and "merschance" or "mumschansis" as likely to damage a young woman's reputation.
[47] Mary, Queen of Scots and her ladies also wore costume as a disguise, as the wives of ordinary burgesses of Edinburgh, women of lower status, on Easter Monday 1565, or as men.
In September 1570 the passment (trimming) worker Benneth Garrust described as Servais' nephew completed a canopy called a "paile" for James VI of Scotland to use during the visit of the English ambassador.
[64] As late as July 1579 the Privy Council became aware of a chest in the possession of George Lord Seton containing clothes, textiles and two beds belonging to Mary which Servais had entrusted to him.