Seven Sages of the Bamboo Grove

Some of the seven tried to negotiate their way through the difficult political positions by self-consciously adopting the roles of alcohol-fueled pranksters and eccentrics avoiding government control (for example, Liu Ling), yet some ended up joining the Jin dynasty (for example Wang Rong).

However much they may or may not have been personally engaged in "witty conversation or debates" (qingtan), they became the subjects of it themselves in the A New Account of the Tales of the World (Chinese: 世說新語; pinyin: Shìshuō Xīnyǔ).

[3] As it is traditionally depicted, the group wished to escape the intrigues, corruption and stifling atmosphere of court life during the politically fraught Three Kingdoms period of Chinese history.

They gathered in a bamboo grove near the house of Ji Kang in Shanyang (now in Henan province) where they enjoyed, and praised in their works, the simple, rustic life.

The group's rural life became a common theme for art, and they inspired other artists who wished to retreat during times of political upheavals.

16th-century depiction by Sesson Shukei [ 1 ]