Shōnen manga

Though action narratives dominate the category, there is deep editorial diversity and a significant number of genres and sub-genres within shōnen manga, especially compared to other comic cultures outside of Japan, including comedy, crime, romance, slice of life, and sports.

Among the most successful and influential manga series in these early shōnen magazines were Norakuro by Suihō Tagawa, which follows the life of an anthropomorphic dog soldier, and Tank Tankuro by Gajo Sakamoto, about a robot-like character who can change his appearance.

Stories focused on war, combat, and most competitive sports were banned with the aim of discouraging belligerence and hindering the use of manga for pro-Imperial propaganda.

[22] Although this provoked a public backlash, it did not lead to the decline for the industry: series with anarchic, offensive humor became popular in shōnen and seinen manga alike, with Crayon Shin-Chan by Yoshito Usui becoming an internationally famous example of this phenomenon.

[10] Manga artist Go Nagai originated the sexually-charged ecchi genre with Harenchi Gakuen, which was serialized in Weekly Shōnen Jump.

[24] In the 1980s, combat-focused "battle manga" stories became popular, with Dragon Ball and Fist of the North Star emerging as representative works of this development.

[26] As a result of the combined influence of ecchi and the rise of female artists, romance emerged as a subgenre of shōnen manga, especially romantic comedy.

[32] Though action narratives dominate the category, there is deep editorial diversity and a significant number of genres and subgenres within shōnen manga, especially when compared to other comic cultures outside of Japan.

[16] This includes but is not limited to comedy, crime, romance, slice of life, and stories about activities such as sports and the lives of different types of working professionals.

[8] Shōnen war fiction has been alternately jingoistic or critical of militarism and violence, with Barefoot Gen by Keiji Nakazawa as a notable example of the latter.

[34] Though shōnen manga typically attempts to convey a message of peace, the category has been criticized by individuals such as director Hayao Miyazaki for promoting overly simple good/evil dichotomies.

[35] A shōnen protagonist is often characterized by contradictory qualities: short-tempered and cool, mischievous and rebellious, serious and cynical, clumsy and infallible, or who appears as a good-for-nothing but possesses hidden abilities.

'transformation'), where the hero is able to switch between two personas with different appearances and personalities; examples of this device include Yu-Gi-Oh by Kazuki Takahashi and Samurai Deeper Kyo by Akimine Kamijyo.

[8] A major narrative device in shōnen manga is rivalry between the protagonist and his opponent,[36] with a fight or a quest often appearing as a central element; Dragon Ball is among the most popular and commercially successful examples of this archetypal story.

[27] In contrast to shōjo manga, which often focuses on the thoughts and interior monologue of the hero, shōnen typically advances plot through dialogue and action.

[36] A common visual device in shōnen action scenes is to depict the contours of figures with rough, coarse motion lines to give the appearance of movement.

[41] Historically, the protagonists of shōnen manga were almost exclusively men and boys; women and girls appeared primarily in supporting roles as sisters, mothers, or girlfriends, if at all.

Since the 1980s, women and girls have played a more active role in shōnen manga, fighting alongside male characters and not merely as passive support.

[42] Dr. Slump by Akira Toriyama was an early representative work of this development, with its mischievous child protagonist Arale Norimaki being among the first shōnen manga to depict this type of archetypal character as a girl rather than a boy.

[42] In the harem genre, which originated from shōnen manga, a male protagonist is surrounded by several female characters who desire him, and who are often more confident and assertive than he is; examples include Negima!

Cover of the April 1929 issue of Shōnen Club
A cosplayer dressed as Naruto Uzumaki from Naruto , displaying the characteristic "spiky" hairstyle
Stacks of Weekly Shōnen Magazine and Shōnen Sunday in 2005