"Overall, Maps of Tacit finds Wright growing more adventurous both as a composer and performer; it's a dark and challenging work, yet it isn't off-putting or overly harrowing, and its bracing experimentalism and originality suggest even greater things to come."

[7] Wright moves back to her slightly simpler instrumentation and recording styles, exploring experimental and unorthodox piano melodies with a bit of classical influence.

– The New York Times Honeybee Girls Piano, organ, guitars, violin, cello with indistinct tones.

[8] "It's emblematic of the tense, discomforting oeuvre Wright favors from terse noisy bursts of guitar to moody minor key elegies."

"Wright's songwriting reaches a new perfection in the most tenuous murmurs, where it is still a tear that works, an evil that clings, a fermenting poison.

This frightened indecision, this trouble of the eyes too wide open, is the very art of Shannon Wright, very pure singer, too rare."