[1] Sher Mandal is east of a hamam (Turkish royal bath) towards the southeastern end of Purana Qila, in Delhi, India.
[2] Humayun purportedly sat on the steps to pray and, as he stood up, one of his legs became entangled with his robe,[2] resulting his fall down the stairs.
[2][1] The name was first used by the historian Abdullah, author of Tarikh-i Da’udi, who described it as being supposedly left incomplete by Sher Shah.
[8] Contemporaneous literary descriptions of the monuments at the palace do not support the idea that Sher Shah destroyed (and replaced) Din-panah, as implied by the theories associating Sher-garh with the Purana Qil'a.
[8] Abu’l Fazl and Badaoni explicitly mention that Sher Shah established an extensive city between the fortress of Din-panah, which Muhammad Humayun Padshah constructed, and Firozabad.
[8] The double-story pavilion on the other hand, with its octagonal plan, rectangular decorative panels and large chhatri, closely resembles a number of palaces described by Khwandamir and Gulbadam Begam in their accounts of Humayun's architecture.
[2] Ram Nath points to the architectural designs at Sher Mandal as evidence of a homogeneous construction that is consistent with Humayan's style.
[9] Stephen Carr, writing in the state gazetteer of 1876, firmly rejected Sher Madal's use as a palace of any kind or even as a flank tower.
[2] Two extremely steep, narrow, and irregular granite staircases, of about eighteen steps each run along the northern and southern walls connecting the two floors.
[2] Although the chamber was initially open, it was later closed out of respect, when his corpse was moved to a newly commissioned tomb about two years after his death.