Siddhesvara Temple

From inscriptions, Haveri was originally called Nalapuri and was one of the oldest agraharas (a place of learning) in modern Karnataka.

However, a picture of Shiva, sculpted out of an independent slab of stone and mounted in front of the Shikhara (superstructure) above the mantapa roof, would suggest otherwise.

[3] Overall, the temple plan bears all the hallmarks of a standard 11th-century Chalukyan construction with Dravida architectural articulation to which some innovative 12th-century elements, such as aedicules, and miniature decorative towers on pilasters, were added.

On either side of the doorway is a perforated stone worked window, and the main shrine (garbhagriha or cella) has a plain linga (the symbol of Shiva).

Some ceiling panels contain images of the saptamatrika ("seven mothers"), while a square column includes photos of the ashtadikpalas ("eight guardians") along with the Hindu trimurthy ("three forms") and Surya.

The saptamatrika sculptures on friezes have female deities, generally, each with a child on the lap to denote motherhood and are identified by the vahana (vehicle) of their male counterpart found under them.

[8] Other loose sculptures in niches worthy of mention are those of Surya, canopied by a seven-hooded snake, and the Mahishasuramardini (a form of Durga).

Profile of shrine outer wall and dravida style superstructure ( shikhara ) at Siddhesvara temple
Wall sculpture in relief includes aedicules on pilasters and Kirtimukhas
A medieval figure sculpture at the Siddheshvara Temple
Kirtimukha at the Siddheshvara temple
Open mantapa with bay ceiling supported by lathe turned pillars made of soap stone facing the sanctum in the Siddheshvara temple at Haveri
A Hero stone from the Chalukya period