Simon Cyril Hussey (born 7 July 1960) is an Australian multi-instrumentalist, songwriter-arranger, record producer and audio engineer.
On the Australian Crawl album Between a Rock and a Hard Place (August 1985), Hussey co-wrote four tracks with the band's lead singer, James Reyne (David's older brother).
In May 1988 Hussey was the producer, and provided keyboards and song writing, for Edge (November), the comeback album by Daryl Braithwaite (ex-Sherbet), which peaked at No.
9, and provided three top 40 singles "Sweet Love" (June), "Motor City (I Get Lost)" (September), and "Daddy's Gonna Make You a Star" (January 1993).
At the ARIA Music Awards of 1992 Hussey won Producer of the Year for his work on various tracks: Craig McLachlan's "On My Own"; Braithwaite's "The Horses", "Higher Than Hope" and "Don't Hold Back Your Love"; and James Reyne's "Slave".
In 1994 he won Engineer of the Year for Braithwaite's "Barren Ground" and "The World as It Is"; and Company of Strangers' "Baby, You're a Rich Man" and "Daddy's Gonna Make You a Star".
Simon Cyril Hussey,[2] was born on 7 July 1960 in Lismore – a town 170 kilometres (106 mi) west of Melbourne and grew up in Mount Eliza.
[4] In that year they issued a self-titled extended play on Freestyle Records – the label owned by Reyne's former bandmates from Australian Crawl.
"[15] Australian musicologist, Ian McFarlane, opined that the album and singles had "captured a wonderful summer-filled mood, and a sense of freedom and happiness".
[3] In the following year Clinton Porteous of Rolling Stone described how "Braithwaite was trying to make a comeback... [and] record companies urged [him] to use a name producer... he insisted on the untried Hussey.
[19] Whitfield described how "[the] lyrics (once you can understand them) are not exactly brilliant and lack much of the depth which Reyne displayed in his Crawl days" nevertheless Hussey made a "big contribution" to the album.
[21] Hussey produced Braithwaite's next album, Rise (November 1990),[4][12] and provided a range of instrumentation: keyboards, electric piano, acoustic guitar, drum machine, synthesiser bass and Hammond organ.
In June 1991, for United States and European markets, Braithwaite issued a compilation album, Higher Than Hope, which included tracks from Edge and Rise.
[24] In June 1991 the Billboard magazine's singles reviewer of "Higher Than Hope" declared that "this pop/rock gem is so catchy that it should be an immediate top 40 add... slick production and offers an inspirational message of salvation.
[4][33] McFarlane felt the album was "commercial rock pop" which provided three singles, "Sweet Love" (June 1992), "Motor City (I Get Lost)" (September) and "Daddy's Gonna Make You a Star" (January 1993).
"[36] At the ARIA Music Awards of 1993 Hussey won his second Producer of the Year trophy for his work on Braithwaite's "Nothing to Lose" and Company of Strangers' "Daddy's Gonna Make You a Star", "Motor City (I Get Lost)", and "Sweet Love".
[21][37] "Daddy's Gonna Make You a Star" won Most Performed Australian Work at the APRA Awards of 1993 for its songwriters Hussey, Reyne and Scott.
[14] At the ARIA Music Awards of 1994 Hussey won Engineer of the Year for Braithwaite's "Barren Ground" and "The World as It Is"; and Company of Strangers' "Baby, You're a Rich Man" and "Daddy's Gonna Make You a Star".
For The Spirit of Christmas 1996, a Christmas-themed album by various artists for charities, Hussey played on and produced Reyne's version of "Silent Night".
Juke Magazine featured a front-page article, "Simon Hussey – The Invisible Man Steps Out", where he provided an extensive interview about his career.
Daryl Braithwaite's cover version of Rickie Lee Jones' album track, "The Horses", remained popular after 25 years.
"[1] Hussey worked as a backing vocal producer with artists during his active years, including, Farnham and Scott on Braithwaite's Edge and Rise albums, Shirley Strachan (ex-Skyhooks), Margaret Urlich and Dale Ryder of Boom Crash Opera on Rise, and Renée Geyer on Electric Digger Dandy by James Reyne.
[citation needed] Credits adapted from Australian Rock Database and AllMusic:[4][41] Simon Hussey as producer, co-producer, audio engineer and/or mixer These awards were established by Australasian Performing Right Association (APRA) in 1982 to honour the achievements of songwriters and music composers, and to recognise their song writing skills, sales and airplay performance, by its members annually.