She went on to work with producer Henry "Junjo" Lawes, recording "A No Any Man Can Test Sister Nancy", "Bang Belly", and a collaboration with Yellowman, "Jah Mek Us Fe A Purpose".
The sound system toured internationally, with both Sister Nancy and Brigadier Jerry making their debut UK performances at the Brixton Town Hall, London in 1982.
Aspects of his rolling vocal pattern, sing jay style, expressive performances, and culturally conscious lyrics are found in much of Sister Nancy's music.
Unlike his sister however, Brigadier Jerry was never really able to capture his exceptional live performances on a recorded track that was on par.
[5] In an interview with The Jamaica Observer in 2002, Russell said that although she was working in the banking sector, that "music is [her] first love" and said she still performs "every now and then".
She explained that her absence from the recording scene was due to her wanting to "give other female artists a chance", though she said she was still "as ready as the first day [she] came into the business".
"[12] This seems to coincide with Cooper's thoughts that dancehall music liberated women from "repressive respectability and conservative gender ideologies.
While the song was originally recorded in 1966 by Toots and the Maytals, it is Sister Nancy's version that is so often sampled in various genres.
[16] Sister Nancy collaborated with Thievery Corporation on the song "Originality" for the 2006 compilation album Versions.