[1] In 1991, Park formed Dill Records, based out of San Jose, California, to release Skankin' Pickle's material, beginning with their debut album, the half-live, half-studio Skafunkrastapunk.

Throughout their career, Skankin' Pickle adhered to a strict independent ethic, performing only all-ages shows, $5–$7 cover charges and selling their CDs for no more than $8 [citation needed](Park would carry this DIY ethos over to his future bands and record labels).

Skankin' Pickle toured full-time throughout the early 1990s, playing shows with such acts as Bad Manners, The Skatalites, Mustard Plug, Sublime, Let's Go Bowling, Cherry Poppin' Daddies, The Mighty Mighty Bosstones, Rancid, The Queers, Primus, Mr. Bungle, Bad Religion and Green Day.

[2] The band strove to make their live shows as energetic and entertaining as possible, with the members dancing manically about the stage and engaging in such antics as baton-twirling and onstage wrestling matches.

The group went through more member changes in the following months until only Knackstedt and Nylander remained from the "classic" line-up, though continued to perform as Skankin' Pickle for their final tour in Europe in June 1997.

Gerry Lundquist became a member of the St. Louis ska punk ensemble Mu330 in 1996 and Jay Vance formed the robot-themed rock band Captured!

On April 19, 2008, a benefit show was staged in her memory at 924 Gilman Street, featuring a number of local bands and headlined by Mike Park.

The benefit concert raised a net profit of nearly $2,000, which was donated to the Ohlhoff Recovery Programs, a Bay Area rehabilitation foundation.

Lyrically, the band also showcased diversity, ranging from silly, comedy-oriented songs ("Fakin' Jamaican") to serious and sociopolitical ("Racist World"), promoting racial equality and unity, often touching upon then-current events such as David Duke's 1992 presidential campaign ("David Duke is Running For President") and the racial controversy surrounding Ice Cube's album Death Certificate ("Ice Cube, Korea Wants A Word With You").

Most of the latter songs were written by Park, who would continue to write about themes of anti-racism in The Chinkees, The B. Lee Band and his solo work.