Slam (1998 film)

When his public defender explains his options ("cop out" and plead guilty), "rock" (stand trial), or "cooperate" (serve as an informant), Ray despairs, particularly as he is being pressured to participate in a drug culture "inside" very similar to what he was a part of "outside".

When threatened with violence in the prison yard, he retaliates with words, speaking the truths that he's witnessed in the form of a poetic rap meant to show the other inmates how their power and energy is being diverted into petty struggles with each other, rather than being directed toward the system that is keeping them down.

The next day, she urges him to settle his legal troubles by agreeing to serve a year or two of prison time, rather than fighting the charges and potentially being put away for much longer.

He leaves, but shows up that night at a poetry slam event in D.C.'s Cleveland Park neighborhood that Bell had invited him to, just in time to see her perform an extremely powerful and empathetic piece that was clearly written for him.

When the crowd demands an encore, she invites Ray onto the stage to perform instead, and he delivers an impromptu dramatic poem — scrawled as he crossed the city on public transit on his way to the slam — an emotional piece about black males and the criminal justice system.

Restoration funding was provided by the Academy of Motion Picture Arts and Sciences, Sundance Institute, and the UCLA Film & Television Archive.