Archives of American Art

More than 20 million items of original material[1] are housed in the Archives' research centers in Washington, D.C., and New York City.

As a research center within the Smithsonian Institution, the Archives houses materials related to a variety of American visual art and artists.

These awards are presented at the Archives' annual benefit and have been rewarded to Mark di Suvero, Chuck Close, John Wilmerding and others.

These include a bird nest and a Kewpie doll from the collection of artist Joseph Cornell; painter George Luks' death mask; and a cast iron model car that belonged to Franz Kline.

The collection includes the sketchbooks of Palmer Hayden, Horace Pippin's illustrated journal of his military service during World War I, and photographs of Alma Thomas.

Other notable collections represent Charles Alston, Hughie Lee-Smith, Jacob Lawrence, Romare Bearden and Henry Ossawa Tanner.

Topics range from Mexican muralism to Surrealism, New Deal art patronage and the Chicano Movement.

[17] Several key figures in Boston Expressionism, linked to Mirski, have also given oral history interviews to the Archives, including Hyman Bloom, David Aronson, Jack Levine, Marianna Pineda, Arthur Polonsky and Karl Zerbe.

It contained over 60,000 letters, notes, sketches, manuscripts, photographs and business records covering 70 years.

[21] In 2009, the Archives received two major grants to further their oral history program: a $75,000 grant from the A G Foundation which established the Elizabeth Murray Oral History of Women in the Visual Arts Project destined to fund oral history interviews with important women within the American art community),[11] and a $250,000 grant from Save America's Treasures to assist with the digitization of approximately 4,000 recordings and the preservation of 6,000 hours of sound.

[19] The Archives mounts rotating exhibitions of its collections at the Lawrence A. Fleischman Gallery of the Donald W. Reynolds Center for American Art and Portraiture in Washington, D.C.

[11] To illuminate scholarship of the history of art in America through collecting, preserving, and making available for study the documentation of this country's rich artistic legacy.