An array of forty-five white inflatable spheres, each controlled by an individual performer, establishes a grid to engage the massive architectural scale of the room.
As performers manipulate the suspended plane, Lift dramatically alters the visual and spatial qualities of the existing architecture to create unexpected moments.
The entire shop was formed by a landscape of 1,500 matte white gypsum cement replicas of Odin's distinctive glass fragrance bottle.
[15] White EPS foam was carved by hand to create a “glacial cavern” for the display of Richard Chai's collection[16] – the material was recycled back into rigid insulation at the close of the project.
A Memorial Bowing and Beacons 2012 In December, 2009, Daniel Arsham/Snarkitecture were commissioned to create two public art pieces at the new Marlins Park (designed by Populous) in Miami, Florida, scheduled to open in April, 2012.
The letters were reconstructed in their original ten foot height and orange color and scattered throughout the public plaza on the east side of the stadium.
Their positions capture an ambiguous moment between destruction and rebuilding, standing vertically, horizontally, mid-collapse or submerged in the ground and spelling various words as visitors move around them.
Standard construction materials like scaffolding, drywall, and mirrors were utilized to create the enclosure that led to an ocean of 750,000 recyclable plastic balls.
Components both functional and visual, such as beach chairs, signage, and the construction of a pier and island welcomed visitors to explore, play and relax in a fully immersive and unique setting.