[1][2] The AllMusic review by Scott Yanow stated: "This unusual album found Coleman taking time off from his electric free funk group, Prime Time, to record acoustic duets with his longtime associate, bassist Charlie Haden.

Coleman switches to tenor and trumpet for the challenging music which includes three of his originals".

[3] In JazzTimes, Duck Baker wrote: "The most significant dividing line in Ornette’s chronology might be Charlie Haden's leaving the group in the mid-'70s.

This set of duos from a few years later highlights the telepathy that was crucial to the success of so many classic earlier recordings ... a fine, relaxed set whose very effortlessness might make it seem less than it is, which is of course top-notch".

[6] The authors of The Penguin Guide to Jazz Recordings described Coleman's tenor sax sound on the album as "a light, alto-range tone which irresistably recalls Lester Young, and which sits perfectly alongside Haden's bass."