Social and economic stratification in Appalachia

[2] Though all areas of Appalachia face the challenges of rural poverty, some elements (particularly those relating to industry and natural resource extraction) are unique to each subregion.

In addition, decreased levels of education and a lack of public infrastructure (such as highways, developed cities, businesses, and medical services) has perpetuated the region's poor economic standing.

Additionally, some employers were known to encourage racial divisions in order to divide workers and pit them against each other, spurring competition and serving to lower wages.

Historically, Appalachia has been largely governed by absentee landlords, politicians who control the area without participating in its local economy.

Towns closer to well-developed urban areas that fringe Appalachia (Pittsburgh, Wheeling, Columbus, Cincinnati, Atlanta, Washington, D.C., etc.)

are disproportionately better-off than rural regions in the mountainous interior, and lack of accessible transportation has greatly restricted the Appalachian economy.

However, the issue has not generally been made a priority by regional political leaders, many of whom eschewed developments that would have been difficult and expensive to establish in the mountainous areas.

[3] Community members who experienced a justifiable fear of punishment for speaking out against the corruption of the status quo developed a habit of compliance rather than democratic institutions for social change.

Burdened by the choice between exile and exploitation, the actual and potential middle class left the region, widening the gap between the poor and those in power.

[5] Observers often perceive a fatalistic attitude on the part of the Appalachian people, as decades of political corruption and disenfranchisement led to weak civic cultures and a sense of powerlessness.

[3] Some academics liken the situation that of third world countries: Residents live on land that cannot be traded outside of trusted circles or used as collateral because, due to the history of unincorporated businesses with unidentified liabilities, there are not adequate records of ownership rights.

[6] Having witnessed the region's hardship during a campaign visit, President John F. Kennedy became intent on improving the living standard for Appalachians.

[13] Since Appalachia is a place with abundant resources such as coal, mineral, land and forest, the main jobs here are lumbering, mining and farming.

According to a recent survey, after attending this program, 80 percent of those women participants have incomes for less than 10,000 dollars per year with their half high school degree.

[17] Women have traditionally been limited to the domestic sphere, often lack access to resources and employment opportunities, are disproportionately represented in peripheral labor markets, and have lower wages and higher vulnerability to job loss.

[19] Women are also often the hardest-hit by poverty—for example, 70 percent of female-headed households with children under the age of six are in distressed counties, a figure substantially higher than the national average.

A woman named Kathy Selvage was a citizen lobbyist for years and worked in the fight against a proposal for a Wise County coal-fired plant.

Vivian Stockman is the face of the stand against mountaintop removal and has worked endlessly to spread the word through photos of the detrimental effects it has on the land that people call home.

Due to the lagged economic status in Appalachian regions and discrimination, there are an increasing number of women who are getting jobs without comprehensive benefits, such as retirement plans.

Many scholars speculate that these stereotypes have been created by powerful economic and political forces to justify the exploitation of Appalachian peoples through industrialization and the extraction of natural resources.

[9][25] For example, the same forces that put up barriers to prevent the development of civic culture promulgate the image of Appalachian peoples as politically apathetic, without a social consciousness, and deserving of their disenfranchised state.

In spite of the region's desperate need for aid, weariness of being represented as "helpless, dumb and poor" often creates an attitude of hostility among Appalachianites.

Appalachian music was a result of prohibition and the hardships that came along with this time period, which was a big part in how people viewed those from Appalachia.

[28] The criteria are tradition, endogamy, an emphasis on intimate interaction and isolation from outsiders, monopolization of economic opportunities, and ownership of certain commodities rather than others.

[1][9] Appalachia existed as a relatively unnoticed region until the eighteenth-century when color writers (many of whom wrote for magazines) began to take interest.

The earliest expressions of the Appalachian caricature created by the color writers directly inspired the hillbilly persona known today.

The hillbilly stereotype achieved prominence alongside industrial capitalists’ interests in profiting off of the mountain range and its people.

[30] Massey's research finds that the hillbilly is malleable, often used in media as a tool to project the countries’ anxieties upon and stitch together an amalgamation of what society rejects.

[25] One wave of anxiety that led to a rise in the media's depiction of the "hillbilly," occurred in the mid-twentieth century following the civil unrest of the 1950s and 60s when many white Americans felt their autonomy was under threat.

[32] Appalachia has been portrayed in many movies throughout the years, some of the most notable films include October Sky, We Are Marshall, Dark Waters, The Devil All The Time, Logan Lucky, Hillbilly Elegy, Silent Hill, and Wrong Turn.

Areas included within the Appalachian Regional Commission's charter.
Map showing subregions of Appalachia.
Subregions of Appalachia, published by the Appalachian Regional Commission in 2009.
Alberta Slim , a country singer that sang Appalachian music. The stereotypical work 'Hillbilly' being used in his music genre.