[4] From 1990 to 2003, during the first years of her professional career, she worked as a performer and choreographer with companies and creators such as Rayo Malayo Danza, Los Rinos [es], and La Fura dels Baus.

In her review for the newspaper La Vanguardia, Teresa Sesé [ca] wrote: The show is presented as a "drunkenness of contrasts" that proposes "striking metaphors about the fantasy of happiness, female suffering, sexual myths or isolation."

"[7]In the spring of 2009 Picó premiered El llac de les mosques (The Lake of the Flies), a piece for two dancers, four musicians, and an actor, described as: Under the pretext of doing a revue, a look back, she has structured this show around a rock and roll concert, full of humor and cross readings.

[8]In 2012 she prepared Llàgrimes d'Àngel (Angel Tears) on the occasion of the presentation of the Romanesque Art Collection at the Museu Nacional d'Art de Catalunya.

[9] That November she inaugurated the Fringe Festival, Beijing's international avant-garde performing arts event, with El llac de les mosques.

A very hard physical spectacle that caused a serious injury to the dancer during its premiere at the Festival Temporada Alta,[10] it was conceived "as a sort of intimate 'red movie', asking constant questions: 'In the continuous movement, do we flee or move forward?

She directed and performed in the show with actress Candela Peña in her theatrical debut, the singer La Shica, and the musicians Dani Tejedor on percussion and Bernat Guardia on double bass.

It was written by Carmen Domingo [es] about the silenced perspectives of women in the Spanish Civil War and Franco's dictatorship.