[2] The central portion is an image based on Leonardo da Vinci’s 15th-century mural Last Supper.

Edelson replaced the faces of Christ's disciples with cut-out photographs of American women artists.

She surrounded the central image with additional photographs of American women artists.

[1] Edelson intended the collage to "identify and commemorate women artists, who were getting little recognition at the time, by presenting them as the grand subject—while spoofing the patriarchy for cutting women out of positions of power and authority.

A numbered print is in the collection of the Smithsonian American Art Museum.