[4] Sonam Dolma Brauen began her training as artist at the Art School Bern and was educated by Arthur Freuler, Leopold Schropp, Mariann Bissegger, and Serge Fausto Sommer.

[7][8] Her paintings, sculptures and installations are exhibited in Germany, Italy, South Korea, Switzerland, USA and in Museum of Contemporary Tibetan Art, Netherlands.

After moving to New York City, Brauen began working more with installations using materials and objects like used monk robes from Asia, plaster, empty ammunition shells.

Her installations express ongoing themes that preoccupy her: Machoism and its relation to power, money and war; and the political situation in her home country Tibet.

Rather, Dolma’s wall-spanning acrylics and floor-spanning installations tackle a thoroughly rougher territory: the expanse of cultural folly and the crimes of emotion.