It painted imagery of the forbidden fruit and Adam and Eve and this boy that's absolutely beautiful and so tempting but so wrong for you!Braide also collaborated with Vickers on three other tracks, "Me & You", "Four Leaf Clover" and "N.U.M.B", which were recorded at the songwriter-producer's London studio.

[5] The debut album saw Vickers work with an array of other writers and producers including Nerina Pallot, Andy Chatterley, Ellie Goulding, Cass Lowe, Savan Kotecha, Alexis Strum, Dev Hynes, Guy Sigsworth and Starsmith.

Mayer Nissim of Digital Spy stated that Vickers and her collaborators "have crafted an album that's drenched in accessible pop melodies while never sacrificing the charm and personality".

"[13] Johnny Dee of Virgin Media deemed it commercial but without sacrificing Vickers's "slightly eccentric charms" and noticed that it "works best [...] when it's mixing beats with folky whisperings", concluding that "[t]he girl's done great.

[15] Mike Diver from BBC Music praised Vickers's voice for the ability to "stand out from any crowd" but was not astounded by the lyrics and the album as a whole, stating that the impression it leaves is "compromised by songwriting by committee" and noticed that it would have been "considerably improved" with "[a] little more compositional guile".

[18] David Smyth from the London Evening Standard felt that Vickers's voice is "almost indistinguishable" from Ellie Goulding's and concluded by saying that "her songs are blander but the public seems open to a singer who will do more interesting work than this [the debut]".

[14] Hugh Montgomery of The Observer felt that "despite employing indie-minded collaborators such as Ellie Goulding and Lightspeed Champion", the album was "given over to commercial box-ticking, matching generic electro-pop with the kind of tasteful balladry that suggests a Dido in-waiting.