The group throws Megan's body and the tire iron down a mine shaft before vowing never to discuss the incident again, though Cassidy and Ellie are reluctant.

8 months later, with graduation approaching, the girls all receive a text message from an anonymous person containing an image of a robed arm holding a bloodied tire iron.

Thinking Megan is alive, Maggie leaves to find her while Cassidy and Jessica look for Mickey's body to retrieve his cell phone.

The pair flee to a bathroom but find Megan's corpse in the shower before Kyle catches up to them and knocks out Jessica before Andy, Cassidy's boyfriend, kills him, revealing he is the killer.

[3] Producer Mike Karz and Darrin Holender acquired the rights to the film and hired writers Josh Stolberg and Pete Goldfinger to update it.

The album received 2.5 out of 5 stars from Allmusic, with the review stating: "Of the 15 tracks, only a few are even remotely memorable (Ladytron's "Ghosts", Camera Obscura's "Tears for Affairs", and Dragonette's "booty" anthem "I Get Around" come to mind), but there's hardly a dull moment".

[7] Songs featured but not included on soundtrack: A teaser trailer premiered at the 2009 San Diego Comic-Con along with the main cast discussing the film's premise and how it felt working with the crew.

The site's consensus reads: "Though it's slick and stylish, Sorority Row offers nothing new to the slasher genre and misses the mark both in its attempts at humor and thrills".

[16] Frank Scheck of The Hollywood Reporter wrote: "There's little to distinguish this from the rest of the entries coming down the horror film assembly line, though the presence of Carrie Fisher as a shotgun-toting housemother who taunts the killer by shouting 'Come to mama!'

"[17] Stephen Holden of The New York Times wrote the film "is an interminable mess...that juggles more characters and undeveloped subplots than it can handle and even manages to bungle the setup.

But it does have two memorable camp moments...In [one], Theta Pi’s ferocious house mother, Mrs. Crenshaw (Carrie Fisher, too briefly seen), hauls out a rifle to go after the hooded fiend and announces in a deep, booming voice: 'Don’t think I’m afraid of you.

"[18] Russell Edwards of Variety called it "an average slasher picture that meanders indecisively between gore and gags", with the script never finding a successful balancing of horror with comedy.

[19] Kim Newman of Empire wrote: "Even the gratuitous nudity can't quite save a Heathers-goes-to-college horror that's undermined by a silly plot and clunky dialogue".

[20] Michelle Orange of The Village Voice commented, "A very thin feminist subtext about the meaning of sisterhood only highlights how badly this film botches its attempt to have it both ways: naked, bleeding cuties combined with 'final girl'-ish, butt-whipping empowerment.