[14] The band, heeding past criticism of their albums, decided to focus as much on the instrumentation as the lyrics.

[14] Trouser Press called Soul Rotation "the first genuinely good album of [the band's] career," writing that "the gentleness of the band’s adult humor is well-served by equally unprepossessing eclectic pop-rock that makes varied use of the Uptown Horns and Rodney’s keyboard sideline.

"[15] The Indianapolis Star wrote: "Somewhere along the line, the Dead Milkmen lost their playful sense of humor.

"[16] The Chicago Tribune judged it "a sprightly little pop album," writing that the "Philadelphia foursome is moving away from constant jokiness and concentrating more on melody and groove, even if it hasn't forsaken its tongue-in-cheek lyrics, amateurish vocals and unvarnished pep.

"[3] The Gazette decided that the "smartass Philly thrash-soul-punkers make the big time with a major-label album that finds all of the humor intact ... even if the punk part sounds more like a frat affectation now.