Soundtrack to a Coup d'Etat is a 2024 documentary film directed by Johan Grimonprez about the Cold War episode that led American musicians Abbey Lincoln and Max Roach to crash the UN Security Council in protest against the murder of Congolese leader Patrice Lumumba.

[3] It features excerpts from My Country, Africa by Andrée Blouin; Congo Inc. by In Koli Jean Bofane; To Katanga and Back by Conor Cruise O'Brien; and audio memoirs by Nikita Khrushchev.

One February morning in 1961, singer Abbey Lincoln and drummer Max Roach crash the UN Security Council to protest the murder of prime minister Patrice Lumumba of the newly independent Congo.

To retain control over the riches of what used to be the Belgian Congo, King Baudouin of Belgium finds an ally in the Eisenhower administration, which fears losing access to one of the world's biggest known reserves of uranium, a metal vital for the creation of atomic bombs.

As Black jazz ambassadors are performing unaware amidst covert CIA operatives, the likes of Armstrong, Nina Simone, Duke Ellington, Dizzy Gillespie and Melba Liston face a painful dilemma: how to represent a country where segregation is still the law of the land.

Jazz and decolonization are entwined in this forgotten episode of the Cold War, where the greatest musicians stepped onto the political stage, and downtrodden politicians lent their voices as inadvertent lead singers.

The website's consensus reads: "Director Johan Grimonprez's sprawling documentary moves to a furious beat, laying out its thesis with an energy that's as enthralling as it is thought-provoking.

"[14] The critic Murtada Elfadl published on Variety: "an invigorating piece of documentary filmmaking [...] It’s dense yet nuanced, managing to capture so many disparate threads that combined to result in Lumumba’s murder.

"[16] David Opie for IndieWire: "A vibrant film essay that marries jazz and politics… Grimonprez’s doc has an impressionistic flair that asks audiences to actively participate in piecing everything together... It’s a stirring rally that’s uniquely cinematic in the way so many elements come together so precisely and yet still feels so organic as well.