The album features two compositions by Thelonious Monk, one by Schweizer, five by Wickihalder, three free improvisations, and, as a closer, Leonello Casucci's "Just a Gigolo".

[1][2][3][4] In a review for All About Jazz, John Sharpe wrote: "the overwhelming impression is of two sympathetic partners having a ball... Schweizer lays down a playful rhythmic framework calling on older tropes such as ragtime and barrelhouse at times, which lends a cartoon air to proceedings.

Wickihalder matches her every inch of the way, deploying a wide range of expressive tonal effects, but fully integrated into the flow rather than as technique for its own sake.

"[5] Marcus O'Dair of Jazzwise called the album "superb," and stated: "The sense is of musicians with nothing to prove... working together to create bracing and beautiful chamber jazz.

"[8] Writing for Cadence, Bernie Koenig noted that "the interplay between the two is excellent," and stated that Schweizer's playing is "two handed but melodic, and she is always harmonically inventive.