St. Walburga Church (Bruges)

The original designs of Huyssens with respect to the tower, the vault and windows of the nave were not fully executed due to financial constraints and rivalry among the Jesuits of Bruges and Antwerp.

Inside, the Baroque character is strengthened by mouldings, volutes, broken pediments, and pilasters and columns, which create light effects.

The floor of the choir has geometric motives and it has been claimed that they represent an ancient Arabic language called Kufic.

[2] The church holds several paintings in the choir, aisles and above the rood screen including: 14 paintings on the Fifteen mysteries of the rosary from the circle of Jan Anton Garemyn (1750), the Glorification of the Holy Sacrament by Jan Anton Garemyn (1740s), the Coronation of Our Lady by Erasmus Quellinus II (17th century), the Lamentation of Christ by Joseph Denis Odevaere (1812), the Resurrection by Joseph-Benoît Suvée (18th century), the Vision of St. Ignatius by P. Cassiers, a triptych of Our Lady of the Dry Tree by Pieter Claeissens the Younger (1620) and an anonymous canvas of St. Domenic healing a child.

[1] The northern side altar is by Pieter Verbrugghen I (1657) with two Baroque portals and various statues of saints dating from the 17th century.

The southern side altar is also by Pieter Verbrugghen I (1669) and has oak doors and statues of St. Peter, St. Paul and St. Rochus.

The Baroque pulpit is a work of Artus Quellinus II (1670) and was made on the basis of the iconography of Willem Hesius.

Façade of the St. Walburga Church
View of the interior
Detail of the communion rails by Hendrik Frans Verbrugghen