Standard of Ur

[1] The standard was probably constructed in the form of a hollow wooden box with scenes of war and peace represented on each side through elaborately inlaid mosaics.

[2] Sir Leonard Woolley's excavations in Mesopotamia from 1927–1928 uncovered the artifact in the corner of a chamber, lying close to the shoulder of a man who may have held it on a pole.

[3] For this reason, Woolley interpreted it as a standard, giving the object its popular name, although subsequent investigation has failed to confirm this assumption.

Woolley later recalled that "the next minute the foreman's hand, carefully brushing away the earth, laid bare the corner of a mosaic in lapis lazuli and shell.

The ravages of time over more than four thousand years caused the decay of the wooden frame and bitumen glue which had cemented the mosaics in place.

They carefully uncovered small sections measuring about 3 cm2 (0.47 sq in) and covered them with wax, enabling the mosaics to be lifted while maintaining their original designs.

He stands in front of his bodyguard and a four-wheeled wagon,[note 1] drawn by a team of some sort of equids (possibly onagers or domestic asses;[8][9] horses were only introduced in the 2nd millennium BC after being imported from Central Asia[10]).

He faces a row of prisoners, all of whom are portrayed as naked, bound and injured with large, bleeding gashes on their chests and thighs – a device indicating defeat and debasement.

[6] The nudity of the captive and dead enemies was probably not meant to depict literally how they appeared in real life, but was more likely to have been symbolic and associated with a Mesopotamian belief that linked death with nakedness.

In the middle register, bald-headed figures wearing skirts with fringes parade animals, fish and other goods, perhaps bringing them to the feast.

The bottom register shows a series of figures dressed and coiffed in a different way from those above, carrying produce in shoulder bags or backpacks, or leading equids by ropes attached to nose rings.

They may have participated in one last ritual feast, the remains of which were buried alongside them, before being put to death (possibly by poisoning) to accompany their master in the afterlife.

Plan of grave PG 779, thought to belong to Ur-Pabilsag. The Standard of Ur was located in "S".
"War" panel.
"Peace" panel.
"Peace" detail showing lyrist and possibly a singer.