[7] He went on to conduct the first Serbian performances of Ludwig van Beethoven's 9th Symphony and Joseph Haydn's Creation.

[3] Binički's instrumental and stage music generally mixed Serbian, Middle Eastern and European—mostly Italian—elements.

[3] Encouraged by Binički, the National Theatre performed operas such as Il trovatore, Djamileh, Der Freischütz, Werther and Mignon during the 1913–14 operatic season.

He composed what became known as March on the Drina shortly after the Battle of Cer to commemorate the Serbian victory.

Some scholars have hypothesized that Binički based his work on an Ottoman Turkish military march.

The Belgrade Military Orchestra subsequently lost all of its instruments and its entire music archive.

After the war, Binički returned to the Balkans and took part in a six-month tour through the towns of the newly created Kingdom of Serbs, Croats and Slovenes.