Steady Diet of Nothing

[2] Although well received and popular at the time of its release, Steady Diet is often overlooked by many music journalists when writing about Fugazi's career, but remains a favorite among fans of the band.

"[4] Musically, the album is far more sparse than the band's other works, with the conservative, dry production serving to highlight the rhythm section of bassist Joe Lally and drummer Brendan Canty.

[3] "Although you could probably trace their influences to numerous sources," wrote Steve Park of The Boston Phoenix, "Fugazi's music is about the natural fusion of two genres: hardcore and reggae.

"[5] The band's entry in Trouser Press writes that the album "sets up a dichotomy between razorblade ferocity and methodical determination; pulling firmly with one hand and jabbing angrily with the other, Fugazi opens the door to a world of mixed emotions and conflicting impulses.

The pressure instilled by the band’s ability to hold itself to an economical beat and escaping shards of tense guitar is barely relieved by the stormy whorls of flat-out aggression into which they typically feed.

"[6] A retrospective write-up on the album by Stylus Magazine's Cosmo Lee similarly writes that: "Unlike, say, Rage Against the Machine's "Killing in the Name," a closed system of slogans, Steady Diet leaves space for interpretation, sonically, lyrically, and visually (the figure on the cover will forever remain inscrutable).

The band addressed the subject of personal freedom on the pro-choice[9][3] anthem "Reclamation" and "KYEO" ("keep your eyes open"[7]) was dedicated by MacKaye to Rodney King during the 'Steady Diet' tour.

[20] Both MacKaye and Picciotto would later attribute the album's relatively-mild response to the alternative rock boom heralded by the release of Nirvana's Nevermind two months after Steady Diet.

[7][21] According to Picciotto (who was on tour with the band in Australia at the time): “It was like our record could have been a hobo pissing in the forest for the amount of impact it had, [...] Nevermind was so huge, and people were so fucking blown away.