Stephanie Blythe (born 1970) is an American mezzo-soprano who has had an active international career in operas and concerts since the early 1990s.
[3] In 1994 she won the Metropolitan Opera National Council Auditions, and then became a member of the Lindemann Young Artists Development Program at the Met.
Her career was transformed the following season when she stood in for Marilyn Horne at the Metropolitan opera as Mistress Quickly in Falstaff and received rave reviews.
She has subsequently achieved critical success in a variety of roles at the Met, including Amneris in Aida (2012), Auntie in Peter Grimes (1997, 2003), Azucena in Il trovatore (2013), Baba the Turk in The Rake's Progress (1998), Berta in The Barber of Seville (1995), Cornelia in Handel's Giulio Cesare (1999), Eduige in Rodelinda (2004-2006, 2011), Fricka in Die Walküre (2008, 2011-2013) and Das Rheingold (2010-2013), Frugola in Il tabarro (2007), Gertrud in Hansel and Gretel (1997, 2001-2002), Jezibaba in Rusalka (2009), Jocasta in Oedipus Rex (2003-2004), Ludmila in The Bartered Bride (1996), Madelon in Andrea Chénier (1996), Mama Lucia in Cavalleria rusticana (1997), Mother Marie in Dialogues des Carmélites (2002-2003), Orfeo in Orfeo ed Euridice (2009), the Princess in Suor Angelica (2007), Ulrica in Un Ballo in Maschera (2007-2008, 2012) and Zita in Gianni Schicchi (2007) among other roles.
She ... threw off the rapid-fire patter duet "There is beauty in the bellow of the blast" with blazing speed and crystal-clear diction.
"[8]In 2011, Blythe premiered the solo mezzo-soprano role in John Corigliano's One Sweet Morning at Avery Fisher Hall for the New York Philharmonic, a composition commemorating the tenth anniversary of the September 11th Attacks.
[10] In September 2021, she debuted as Don José in Carmen at the Chicago Opera Theater, with Jamie Barton in the title role.
In 2018, Blythe was appointed to be the Artistic Director of the Bard College Conservatory of Music Graduate Vocal Arts Program, succeeding Dawn Upshaw, VAP founder.